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CineLink Industry Days Presents Documentary Activities Including Docu Talents from the East Selection and Esteemed Juries

This year’s main documentary activities are concentrated on 16 and 17 August

Documentary projects often become most vulnerable precisely when their creative direction is becoming clear. A strong cut does not by itself secure completion, international positioning or a meaningful life beyond the first festival presentation. CineLink’s documentary activities respond to this gap by supporting individual projects while also questioning the wider conditions that determine whether strong films can be completed, positioned and sustained. This year’s main documentary activities are concentrated on 16 and 17 August. At their centre is Docu Rough Cut Boutique, the long-running programme jointly developed by CineLink Industry Days and the Balkan Documentary Center, which brings five feature-length documentaries in advanced editing to Sarajevo. Alongside it, Docu Talents from the East, organised by the Ji.hlava International Documentary Film Festival, presents seven projects from Central and Eastern Europe at production or post-production stage. On 16 August, the projects from both programmes will be screened and presented to international decision-makers. The awards attached to the programmes are an important part of this process, providing practical resources and professional opportunities that can help projects convert their presentation in Sarajevo into further development, completion and circulation. Yet supporting individual films also requires looking critically at the systems through which they must travel. 

As part of CineLink Talks on 17 August, two interconnected panels examine the conditions that shape the positioning and longer life of documentary cinema. The first panel looks at how responsibility for a documentary is shared, and often fragmented, mong producers, markets, festivals, broadcasters, sales agents and distributors once the immediate attention surrounding financing, selection or a premiere has passed. The second moves from responsibility to evidence. Documentary films reach viewers through festivals, television, specialised platforms, educational institutions and community screenings, but much of this circulation is recorded inconsistently or not at all. The discussion will consider which indicators matter, who should collect them and how information could be shared across the sector to produce a more credible picture of documentary reach. The aim is to make audiences that currently remain invisible more legible to funders, policymakers, distributors and cultural institutions, and to strengthen the basis on which future support and circulation strategies are designed. Documentary cinema will remain present in the second half of CineLink Industry Days through two projects selected for CineLink Work in Progress, where they will gain access to international sales agents, festival programmers, distributors, funds and post-production partners. Across these activities, CineLink works both with the films themselves and with the structures surrounding them - strengthening projects while examining what the documentary field must provide for them to reach completion, audiences and a sustained international life.
 
DOCU TALENTS FROM THE EAST AWARDS
 
Docu Talent Award | Granted to the most promising project from the region of Central and Eastern Europe
 
DAFilms Distribution Award | 3,000 EUR in-kind DAFilms Distribution Award covers international VOD release on DAFilms (including Americas, Europe, Asia) for two years
 
DOCU TALENTS FROM THE EAST JURY
 
Martichka Bozhilova  | Agitprop
Carmen Gray | The Film Verdict
Nina Numankadić | DAFilms
Jarmila Outratová | IDFF Ji.hlava
Ognjen Glavonić | Non-Aligned Films
 
Explore the Docu Talents from the East selection
 
40 MARIA LUISA BOULEVARD
Director: Kristina Spassovska
Producer: Kristina Spassovska
Production Company: Bellevue Kino
Country: Bulgaria
 
Shifting between reality and fiction, living and undead creatures are hanging around a decaying family apartment in the oldest neighbourhood of Sofia, where a film crew rehearses a movie that will never be made.
 
BERNADSKY GARDEN
Director: Bohdan Prykhodko
Producer: Eva Zurian  
Production Company: IMA Bolero
Country: Ukraine
 
In Kramatorsk, fifteen kilometres from the frontline, municipal workers maintain a garden, an island of order beside destruction. Their meditative labour contrasts with the threat of evacuation and the slow disintegration of the world around them.
 
HOTSPOT. A DOCUTHERAPY
Director: Michał Bielawski
Producers: Maciej Kubicki, Aleksandra Dur
Production Company: Telemark
Country: Poland
 
A group struggling with climate-related depression begins therapy, turning inward to confront their fears and rediscover hope for themselves and the planet.
 
LOVE EXPOSED
Director: Filip Remunda
Producers: Tereza Horská, Vít Klusák, Filip Remunda
Co-producers: Hanka Kastelicová, Tereza Bóna Keilová, Peter Kerekes, Anna Mach Rumanová, Saša Dlouhý 
Production Company: Hypermarket Film
Co-production Companies: HBO, Kerekes Film, FREESAM
Countries: Czech Republic, Slovakia 
 
He was famous for what he saw.  I’m the one he missed. A tragi-comedy about love, fame, and what got left out of the frame.
 
ORA ET LABORA
Director: Dzhovani Gospodinov
Producers: Bady Minck, Alexander Dumreicher-Ivanceanu
Production Companies: AMOUR FOU Luxembourg, Sen Film
Countries: Luxembourg, Slovakia
 
Ora et Labora portrays Germany‘s oldest Benedictine monastery at a critical moment of transition, exposing the fragile balance between faith, authority, and existence.
 
ORBÁN AND ME
Director: Réka Pigniczky
Producers: Julianna Ugrin, Barnabas Gerő, Hanka Kastelicova (HBO), Eva Rybkova
Production Company: 56Films
Country: Hungary
 
As Hungary approaches a historic political turning point, filmmaker Réka Pigniczky pursues an elusive interview with Viktor Orbán while navigating deep political divisions within her own family, which forceing her to confront whether her country has truly learned how to live with democracy.
 
RETUNING
Director: Sára Prokopová
Producer: Tereza Tokárová
Production Company: Cinepunkt
Country: Slovakia
 
As a new political establishment in Slovakia begins to reshape the public broadcaster, its employees face a turning point that raises questions about the future of public media and their role within it. Through the perspective of those who oppose the transformation, the film captures a local story that many around the world may recognize as their own.
 
 
Docu Rough Cut Boutique
 
DOCU ROUGH CUT BOUTIQUE AWARDS
 
HBO Award | €2,000
Avanpost Award | in kind post-production services worth €20,000
DOK Leipzig Preview Award | invitation to present a project at DOK Leipzig
Movies that Matter Award | invitation to present a project at Movies that Matter
East Doc Caravan Award | invitation to join the East Doc Caravan festival distribution initiative
 
DOCU ROUGH CUT BOUTIQUE JURY
 
Eugen Kelemen | AVANPOST
Carmina Orozco López | Dok Leipzig
Hanka Kastelicová | HBO 
Eric Seleky | Movies that Matter

 
BALKAN MAESTRO
Directors: Altinaï Petrovitch Njegosh, François Fleury
Producers: Altinaï Petrovitch Njegosh, Dominique Welinski, Frédéric Chaudier
Production Companies: BIENVENUE PRODUCTIONS, AIE AIE AIE FILMS
Countries: Montenegro, France
 
French maestro Marc Korovitch takes over the Montenegrin Symphony Orchestra and reconnects with his roots. On the eve of the country’s entry into the European Union, he dreams of conducting Don Giovanni. 
 
KINDA 
Directors: Peter Akar, Rita Balogh
Producer: Rita Balogh
Production Company: OTHER FILMS
Country: Hungary  
 
Co-created with GenZ teens over 6 years from high school graduation, this raw doc blends self-shot and observational footage as they search for an adult self, facing identity crisis, depression, love.  
 
NO OFFENCE
Director: Lucija Marčec
Producers: Ida Barac, Ema Mikolaci
Co-producer: Michael Sikora
Production Company: Academy of Dramatic Art Zagreb
Co-production company: Lonely Production
Countries: Croatia, Czech Republic
 
Does the discrimination ever change or does it only change its victims?
 
WHERE SHALL WE GO?
Directors: Georgi Totev, Maria Cheresheva
Producers: Svetoslav Draganov, Georgi Totev
Production Company: Cineaste Maudit production, LENS2LENS
Country: Bulgaria
 
Two women – a Palestinian in Gaza and a Bulgarian Jew – defy history through a twelve-year friendship that becomes an urgent mission of survival and quiet resistance during the 2023 war.
 
WOMEN OF AKBELEN FOREST
Director: Selen Çatalyürekli
Producer: Zeyneb Gültekin
Country: Türkiye
 
In southwest Turkey, village women lead a defiant stand against coal mining threatening their forest, homes, and future, transforming themselves as they fight for land and life.
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